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Years later, Slater owned up to what everyone recognized at the time: He was doing a Jack Nicholson impression. In March of that year, Heathers came out, introducing the world to J.D., the motorcycle-riding teen who’s not part of the lame popular crowd at Westerberg High - and that attracts the attention of Veronica (Winona Ryder), who’s joined the cliquish Heathers friend group but sees in him a cuter, more soulful companion. But 1989 was the pivotal year, and I’m not talking about The Wizard or Gleaming the Cube, although those movies have their nostalgic defenders. It wasn’t long before he made the leap to movies, landing roles in high-profile projects from Jean-Jacques Annaud ( The Name of the Rose) and Francis Ford Coppola ( Tucker: The Man and His Dream). I did the lines and everybody in the studio applauded - I was immediately hooked after that. “I was, like, 8 years old, playing a kid who had hurt himself on a skateboard,” he recalled. Even as an adult, he fondly remembered that feeling of being on One Life to Live in his childhood. Slater started acting as a kid, which made sense since his dad was an actor and his mom a casting agent. We could never be him - and as we learned more about his offscreen antics, maybe sometimes we were grateful we weren’t. But for anyone who grew up at the time, he was always our patron saint of hip. Other variations of Chriatian Slater came along to take his place. That moment wasn’t going to last because youth itself doesn’t last - fashions change and definitions of cool evolve. There was a level of imitation going on.”īut the performances were genuine, and anyone interested in what brooding, introspective young men were up to at the tail end of the Reagan era would do well to revisit Heathers, Pump Up the Volume and True Romance. You put that on yourself and think that’s how you’re supposed to behave. “Feeling tortured, and justifying that because the examples I had were other tortured actors. “I definitely spent a lot of time beating myself up, living with useless emotion, guilt and shame,” he said. How could you blame him: The longtime actor turned 52 this summer, and in 2018 he reflected on the edgy persona that bled into his personal life. He was a mallrat with a poet’s eye.įorming a support group for ppl attracted to christian slater in Heathers hmu- Nyna Hess October 13, 2021Ĭhristian Slater is no longer that guy, and it sounds like he’s very happy about it. He came across like a young Nicholson, but as if he was partly mocking that sort of old-school, movie-star charisma. Irony and detachment were his thing, although he often played young men with big hearts underneath. He was the acting equivalent of Nirvana, expressing a Gen-X cynicism about the world that insisted that everything sucked. In the late 1980s and early 1990s, the definitive bad boy was Christian Slater, who was more caustic than the Brat Pack pinups, a wised-up riff on the teen characters who populated John Hughes movies. We mere mortals in the audience could never pull off the charismatic nonchalance that they embody so effortlessly - but by digging their performances, we can at least live through them vicariously for a couple hours. Hudgens victims survived as "sleepers" - lost souls awaiting the moment of their calling.Welcome to Misleading Men, a regular feature where we look back at the actors who ruled Hollywood for one brief shining moment.Įvery generation has its iconic bad-boy actors, the handsome young men who play rebels and outcasts, fighting the system and taking down the man. There, he conducted savage experiments on orphaned children in an attempt to merge man with creature. When the government shut down his controversial research, Hudgens built a laboratory hidden within an abandonded gold mine. Under the direction of archaeologist Lionel Hudgens, Bureau 713 began collecting Abkani artifacts. Bureau 713, the government's paranormal research agency, was established to uncover the dark secrets of this lost civilization. These artifacts speak of terrifying creatures that thrive in the darkness, waiting for the day when the gate can be opened again. Only a few artifacts remained, hidden in the world's most remote places.
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The Abkani mysteriously vanished from the Earth. Before they could close it, something evil slipped through. 10,000 years ago the Abkani opened a gate between these worlds. The Abkani believed that there are two worlds on this planet, a world of light and a world of darkness. Lionel Hudgens: In 1967, mine workers discovered the first remnants of a long lost Native American civilization - The Abkani.